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Abuse, Guest Posts, Relationships, Young Voices

Swing

February 8, 2017
swing

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

CW: This essay discusses abusive relationships.

By Laura Zak

Nana had a swing in her backyard. And Dad said once it was fresh white, back when he was a boy, running off in the woods to see which of his friends could pee the farthest.

And when I was thirteen, the paint flaked off under my fingernails. And sometimes I let my fingernails scratch the metal just to hear them screech.

And my younger sister Jessica and I used to swing and eat Klondike bars. And Nana would squeeze herself between us, her feet skimming the ground. And once she told us “Girls, you never let a guy hit you.”

And I laughed because I thought she was joking.

That was five years after Britney released “Hit me Baby One more Time.” Nana still hated Britney for her song. We ate Klondike bars and Nana told us that if some guy ever tried that, just say: “listen bub, see my finger? See my thumb? See my fist? You better run.”

And my laugh was fresh white paint. Of course, Nana. Jessica and I knew better than to let guys pull back their fists, let them swing.

And I don’t know why Stanley kicked Jessica out that night. We were both living in Lubbock, our hometown, and she called, asking if I would pick her up. Her voice shook. She was only eighteen.

And I did pick her up, of course I picked her up, I ran out to my car, barefoot, jacket flying open. And my hands didn’t work well putting in the keys. And the street lamps were heavy and parking lot held more emptiness than anyone could bare as I drove fast fast to his apartment.

Jessica waited under a carport. Her eyes were small, her eyes were scared.

When I hugged her, she thanked me for picking her up. When I asked if she was okay, she said she was fine. She never said why she had all her clothes in her backpack or if this was the first time.

At first Mom and Dad liked Stanley okay. I met him when Dad cooked us all eggplant parmesan. Stanley was seventeen. He wore a button up shirt. He said lots of yes sirs and no ma’ams.

Jessica had told us he would be bringing his baby and he did. The baby’s eyes were small, her eyes were scared. She cried and cried and cried.

And once he left, Mom said told me she didn’t like how Stanley was not-even-graduated and had a baby. And I knew what Mom meant was not-even-graduated and no-ring-on-his-finger with a baby.

The first time she and Dad did it was their wedding night.

And when Jessica and I were fourteen, fifteen, we bought V-rings and promised we’d stay virgins until our wedding nights. And I know now the V-rings weren’t born for our minds alone.

But I don’t know when Stanley changed. When he went from being that sing-song motion on the backyard swing, to nails and nails and nails making the metal screech.

And once Dad made shrimp pasta for dinner. And Jessica and I stood in the kitchen, the fan ticking off its rocker.  And I remember the light spinning on her face. And under her eye, a yellow bruise.

And I asked her what happened. She said she fell going down the stairs.

And she’s never been good at lying. But I believed her because falling was too cliché, as unbelievable as Britney really asking some guy to hit her again.

Because, of course, Nana. Jessica and I knew better than to let guys pull back their fists, let them swing.

And one night at Nana’s house, Jessica locked herself in the bathroom. She thought everyone was sleeping. I heard her go and my eyes opened wide like street lamps. I was scared. So I snuck out of bed, crept to the bathroom door.

And her crying stopped my feet. And I listened to her cry, her sobs holding more emptiness than I could stand as she begged Stanley to take her back. Please please please please please, she said. Over and over and over.

I know there were many times she cried in a bathroom, please please pleasing Stanley not to break up with her.

And I still don’t know how or why they finally did break up. If she left him or if he kicked her out for good. I was in Costa Rica, living in a house fenced with barbed wire and glass, when Mom told me. When I came home, Jessica only told me they’d gotten a restraining order.

And once Jessica and I were dancing at a club called Heaven. Across the bright, drunken faces, she saw Stanley. Jessica said “we have to go now.” And we did.

And once, years later, Mom said “he almost killed my baby girl” and her lip shook.

And once, years later, under the fan blades and the light, Jessica told me that Stanley beat her. Sometimes it was just because she took too long putting gas in the car.

And I don’t know how to ask Jessica about the rest. So our silence rocks back and forth between us. And there are no streetlamps. Just an emptiness we’ve learned to stand. And my imagination colors in all the empty space with dull metal and broken glass.

Laura Zak calls Lubbock, Texas her homeland. She now lives in Moscow Idaho and has realized the most striking similarity between Lubbock and Moscow is their respective spots in their respective state’s panhandles. Laura enjoys to cook with pans that have handles, is in her third year at the University of Idaho’s MFA program studying creative nonfiction. If she had to describe her writing, she would say that she’s interested in exploring sexuality, desire, play, and magical worlds.

 

Join The Manifestation Retreat: Manifesting Under The Tuscan Sun. June 17-24 OR Sep 9-16. Email retreats@jenniferpastiloff.com or click the picture above.

 

Join founder Jen Pastiloff for a weekend retreat at Kripalu Center in Western Massachusetts March 3-5, 2017.
Get ready to connect to your joy, manifest the life of your dreams, and tell the truth about who you are. This program is an excavation of the self, a deep and fun journey into questions such as: If I wasn’t afraid, what would I do? Who would I be if no one told me who I was?
Jennifer Pastiloff, creator of Manifestation Yoga and author of the forthcoming Girl Power: You Are Enough, invites you beyond your comfort zone to explore what it means to be creative, human, and free—through writing, asana, and maybe a dance party or two! Jennifer’s focus is less on yoga postures and more on diving into life in all its unpredictable, messy beauty.
Note Bring a journal, an open heart, and a sense of humor. Click the photo to sign up.

death, Guest Posts, Young Voices

And Then I Remember What You Said, a Letter to My Brother

December 31, 2016
lucky

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

CW: This piece discusses the aftermath of suicide.

By Emma Tait

December 31, 2016

Dear Ollie,

I know you know this holiday season is hard for me. But still, I need to tell you how I’m feeling, how I’m feeling about how the holidays this year, the third year since you have been gone. Please don’t take this the wrong way, I know you are looking out for me, in the good big brother kind of way.

I am always catching glimpses of you out of the corner of my eye, seeing men that look just like you, sometimes I even hear your voice. Every time this happens my breath catches in my throat and for a split second I glance around hopefully, as if I live in a different world where there is a possibility of us running in to each other on the street on our ways home from work. In a parallel reality this would be our life. You would have lived. You would have stayed in Vancouver and we’d see each other all the time. This parallel reality still lives in my head, and sometimes when I “see” you I pretend with all my hear that it is so. Continue Reading…

Guest Posts, The Body, Young Voices

What Happened To Your Hand?

December 14, 2016
amputation

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Julia Betancourt

I wasn’t going to talk about my residual limb when I visited my kindergarten teacher in her classroom. At least, not until a small blonde girl came and tugged on my skirt while I was greeting my former teacher, Ms. Restrepo.

“What happened to your hand?” she asked.

“Oh,” I replied. I stared at my left arm, which extended to just below the elbow—the “hand” she was referring to, nicknamed “Army,” meaning little arm. “I was born like this,” I said, lying to her because I didn’t want to go into the extraneous story about the accident. I turned to face a boy and his three friends.

“Does it hurt?” he wondered. I shook my head.

“How can you write?” another child yelled.

By this point in time, I noticed that most of the class had gathered, and they were all asking me questions I didn’t want to answer. However, I couldn’t just tell the children to leave me alone, because they were six. Furthermore, if I told them to leave me alone, they might be afraid of other people with amputations. Based on their curiosity, most of them probably hadn’t even seen anyone with a limb difference. Whatever I did now could potentially affect the way they thought about amputees for the rest of their lives. Continue Reading…

Guest Posts, writing, Young Voices

The Broken Container

December 13, 2016
container

By Raisa Imogen

Last year, I was in Paris during the terrorist attacks, and I don’t know how to tell that story. Similarly, I don’t know how to tell the story about Trump’s recent election. But there seems to be a strange and shivering thread between the two events. Both violent, painful, chaotic. Yet Paris was somewhat contained. This election is not, the common mantra being: “we just don’t know what’s going to happen.”

We tell stories to make meaning of trauma, to contain pain so we can better examine it and give it value. But sometimes we are in such distress that the container cracks. We can no longer write or speak in the same way, we can no longer contain the pain or carry it comfortably.

Paris: the cherry glow of sirens, the bitter cold, windows slamming shut, a vacant Eiffel tower. Alternatively: my friend who calmly held my hand, the family member who made a quiche, a café filled with people drinking champagne the next day.

Either it becomes a story of horror and fear, which you’ve already heard, or a story of healing and bravery, which feels mawkish and insincere.

I think we dislike narratives which exist in gray, uncertain space. We want them to have logic, to land on one side of a binary — tragedy or comedy, conflict resolved or broken open, a character whose biggest desire is fulfilled or wrenched from them completely. Climax, falling action, resolution.

But trauma, especially when it first occurs, isn’t a neat and tidy narrative. Sometimes there is no narrative at all.

The New Yorker recently featured a piece where sixteen writers weighed in on the election. As my friend Marie Scarles observed, “There are so many different versions of why Trump won, and so many ways for us to imagine the future. Should we pay more attention to poor whites? To Muslims? To women? To LGBTQ? To racists? To immigrants? All seem urgent, but none can be held as the be-all-end-all.”

We are searching for a straightforward answer, an immediate ending so this can be over and done with.

After the election, hunched over my carrel in the library and unable to write, I got a text message from my father: “Trauma turns us into animals, which means story-telling turns off. We revert to fight, flight or shock.” But sometimes, maybe our storytelling tendencies shutting down is a good thing. Maybe it allows us to survive. Narratives can be healing, but they can also be dangerous.

By attending to many different perspectives, perhaps a new story will eventually arise, something both nuanced and messy, something which contains many strands. Perhaps it will be a story of hope, but a particular kind of hope, which Rebecca Solnit describes as, ”an ax you break down doors with in an emergency… [it] should shove you out the door.”

For now, we are living in uncertainty. The story is that there is no story, at least no singular one. Which means there is no singular conflict, no one resolution. I wish I had a coherent story to tell about Paris, but I don’t. For me, the container is still broken open, as it is now for America post-election. This means we must listen to each other, and listen carefully.

raisa-tolchinsky

Raisa Imogen was born in Portland, Oregon, grew up in Chicago, and is currently studying at the University of Bologna in Italy. Her poetry can be found at www.raisaimogen.net and at The Kenyon Review.

 

Join Ally and Jen Pastiloff for an intimate online course about what it means to be a woman at this time. Space is very limited. Course runs Jan 12-Feb 9, 2017. Click the picture to sign up or to get more info on the course and its perks!

Join Ally and Jen Pastiloff for an intimate online course about what it means to be a woman at this time. Space is very limited. Course runs Jan 12-Feb 9, 2017. Click the picture to sign up or to get more info on the course and its perks!

 

 

Join The Manifestation Retreat: Manifesting Under The Tuscan Sun. June 17-24 OR Sep 9-16. Email retreats@jenniferpastiloff.com or click the picture above.

Join The Manifestation Retreat: Manifesting Under The Tuscan Sun. June 17-24 OR Sep 9-16. Email retreats@jenniferpastiloff.com or click the picture above.

Guest Posts, Relationships, Young Voices

House of Mirrors

November 9, 2016

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Premala Matthen

“You’re just like me,” my mother tells me.

Sometimes, rarely, I see her face when I look in the mirror. But I am often asked— by friends, by classmates, by strangers on the street —if I was adopted. I know why they ask, but she pretends she doesn’t.

“Nobody can tell you’re not white,” she says to me. It feels like a lie. “Everyone thinks you’re southern Italian.”

The dissonance is paralyzing.

As an adult I read parenting books, even though I don’t have children. I am convinced that I need to re-parent myself, though I don’t know why. My breath catches when I read: a child needs a mother who is attuned to her. She needs a mirror, so she can see who she is.

Sometimes I see my face when I look at her. When I am four, I decide that I am a writer, and she helps me send my story to a publisher. She makes me feel like the rejection letter is just as exciting as a publication would have been. Real writers get rejected; I am a real writer now. I’m nine when my first poem is published. She makes me feel like the world has been enriched by my words. Continue Reading…

beauty, Guest Posts, Young Voices

Do Not Define Me As You Saw Me Last

November 8, 2016
beauty

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Daniela Grageda

I hadn’t seen my older sister in a month and all she saw was the armpit hair on my twin sister.

“If you shave your legs, why not shave your armpit hair?” She questioned my twin sister.

It is a choice. Never did I imagine I needed to ask for permission to not shave, or to ask permission for anything that it is not causing any harm to any other human being.

I hadn’t seen my sister in a month and she questioned me “you’re trying to get locks on your hair?”, when she saw the dreads starting to form. It was the first time she saw my hair let loose after wearing it up for a while.

“No, we just don’t brush our hair” — my twin sister answered for me.

“I haven’t seen you in a month, I don’t know what happened to you guys!”

I felt heavy, in my heart, I felt so heavy.

Yes, she had not seen us in a month, and that is all she had to say. Really, that is all she had to say.

It is not that I was looking for her approval, I knew my twin sister and I were considered the ‘strange’ ones in the family anyway. But the feeling I felt that moment was quite different. My older sister’s eyes were full of judgement and disgust. It was evident. I felt unwelcomed. I was standing in the presence of unacceptance. Eyes that were blind to her own beauty, let alone ours. If she were comfortable in her own skin, she would have no reason to judge ours, I thought.

Do not define me, do not label me, do not remember me as you saw me last. I am growth, I am beauty itself, I thought.

We have grown up with certain approaches to our natural form that it is so bizarre to let our armpit hair grow out because we learnt to shave it as soon as we began to notice it grow. All because it is not ‘acceptable’ for women to glow with their armpit hair!

All because it’s only normal for men to have hair on their armpits.

We are raised around straighteners, combs, shampoos…Essentials right? Essentials that will make our hair beautiful!

With shoes that will make an impression of us looking taller, more confident, and fancy!

With chemicals to spoil our faces, just to get a bit of color on our cheeks!

What if…
I don’t brush my hair everyday?
I don’t shave?
I don’t paint my nails?

Do I somehow betray my own skin? My own body? Am I not considered “normal”?

At one point in my younger years, I did feel it was necessary for me to learn how to walk in heels and how to apply makeup on my face, because I saw every female in my family doing so. But it never felt natural to me. It wasn’t me and to this day, I have no sense of how to apply makeup or walk in heels.

Cosmetics and such appeal to women to look good, to have them look “decent” and many women are comfortable and even happy with those things, but it doesn’t make sense for me.

I don’t choose to not do these things so I can be considered a “weird” human being, though I know in my heart I am a weird creature.

I don’t undertake such actions simply because I do not support such things to enhance my beauty. I am comfortable without them.

My beauty just as it is, is pure.

Do not define me as you saw me last, no matter the time frame, because chances are, you won’t see me the same way twice.

I am constant growth.

 

biophotoDaniela Grageda was born in Mexico and is currently living in Arizona. She is an emerging photographer and writer who is working on her art portfolio and a collection of short writings and poetry. Follow Daniela on Instagram @dani.grageda_.

Click pic to book workshop.

Click pic to book workshop.

 

Join Lidia Yuknavitch and Jen Pastiloff for their signature “Writing & The Body” Retreat in Portland March 17-19 by clicking photo.

Join Lidia Yuknavitch and Jen Pastiloff for their signature “Writing & The Body” Retreat in Portland March 17-19 by clicking photo.

Guest Posts, Women are Enough, Young Voices

The Way I’m a Woman

November 2, 2016
feminine

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Caroline Hoenemeyer

I love the beat my feet make when I walk, not the high-pitched click clack of some dainty spikes, but the weighted thud of these boots I’ve broken in, blistered, bruised. I love the way the fat padded around my stomach peeks and prods out of my leggings, maybe too tight. I love the way my black bra shows through my sheer laundered-with-sweat white shirt, with breasts heavy because that’s how gravity works and I don’t like to say no to nature. I love to speak with the deep vibrations in my voice—not like a question, whisper, or squeal, not afraid of intimidating men. I love to do the things the Look Like a Lady books tell me not to do.

I love the way I’m a woman and right now that means I love to appear in a way that’s grotesque to The Patriarchy. I am a Virgin and a Madonna and a whore and a blossom. I am a bloody tampon and strawberry lips and the shits after really good pasta. I am dimples on both sets of cheeks and streaks of stretch and a smile like sunshine. I am stubbly pubic hair peeking out of my tight denim shorts peppering my perfect balloon thighs. I am grotesque just as I am a pure white light of feminine energy. I am neither and all and I get to be whichever whenever I want and I won’t bend or break for anyone.

And yet oh, I want a husband. Not now, not soon, but not never. I want a husband and I want to make babies with him; I want a family. Continue Reading…

Grief, Guest Posts, Young Voices

An Innocence Buried

October 26, 2016
funeral

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Lauryn Polo

January 31, 2008

I stood in a room that smelled too strongly of flowers, with the same people I saw every day, but this time, we weren’t in our basketball clothes or sweats– we wore dark professional clothing that our moms’ helped us pick out. We didn’t smile, didn’t joke like we were accustomed to at practice. Our coach’s dad lied still—he was gone. And for the first time, my coach was human. Here was a woman we all had known for most of our lives; had shared most of our winter seasons with her, along with countless hours in the offseason—but we had never seen her like this.

But tomorrow, after the funeral, we would practice again. She would still yell, and stop her foot so hard into the floorboards we would swear she would create a hole. The world, as we knew it, would continue—and this was something I would have to learn the hard way. Continue Reading…

Guest Posts, memories, Young Voices

I Miss The Bad Times

October 12, 2016
memories

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Alyssa Limperis

I said goodbye to one of my best friends from college today. He’s leaving NYC and moving west to go to Law School and be closer to his family. I feel sad. Maybe because I knew him when my dad was alive. Maybe because he’s one of the first people I go see when I have something to say. Maybe just because I want more late night, ice-cream-filled hangs. I’m sad to see him go. I’m sad that time keeps moving forward. After losing my dad, I want to hold tightly to everyone I love. I don’t want anyone to leave. Bryan represents my prior life. A life where I was scattered and free and waitressing and not quite sure where I wanted to be or what I wanted to do. He represents a time when I was depressed and lost. More than half of our hangs have been me crying to him. I spent so much time with Bryan worried about the future. Upset about the present. Hanging on to something from the past. I spent a lot of time on my phone. A lot of time in my head. I found out he was leaving a week ago and time slowed down. I instantly wanted to spend every minute with him. Digest all of his advice. Appreciate the profound comfort of sharing each other’s company. When time suddenly became limited, I wanted to freeze it and not let it escape. I wanted to go back and relive all of our times together. I suddenly yearned for feeling lost and uncomfortable and unsure. I wanted to be back to the time when I was deeply depressed. I wanted to go back to working doubles at a restaurant and slumping on his stoop in exhaustion on my way home. Continue Reading…

Guest Posts, Surviving, Young Voices

The Aftermath Of Assault Leads To A Call For Help

October 4, 2016
assault

TW: This piece discusses sexual assault and its aftermath.

By Ashley N. Doonan 

I am a doctoral student in Rhetoric and Writing at Bowling Green State University. I teach Freshmen English as well as take courses within my program. I come from New England, and I have only been in the Midwest for about a month and a half. Unfortunately, my experience here has already been tarnished.

On September 1st, 2016 I was robbed of a vital piece of myself. The violation—the shrieks, the moans, the blood—all as I was forced down and pressed into the carpet rhythmically against my will for what seemed like hours. After that day, I resorted an old coping mechanism of mine—that is, not eating. That numbness, that lapse back into my eating disorder sucked me in almost instantaneously.

Things started to decline quickly, and there’s no doubt that one cannot maintain an eating disorder while simultaneously succeeding in a Ph.D. program. Therefore, I have sought out a dietician who is highly supportive and specializes in the treatment of eating disorders. However, she does not accept insurance and the standing rate for the comprehensive six-month package costs $3,250. “Begin WELL” was the program suggested to me based on my assessment (more information on that can be found here).

As a graduate student, I simply don’t have that type of money nor do I have any financial support from my family. As of today, I have a second job, however, my university limits the amount of hours that graduate students can work. I am extremely uncomfortable asking others for assistance but I know how much I need to be seeing this dietician in order to stay in school and avoid a higher level of care. My dietician is willing to work with me via monthly payments versus paying for the entire package at once.

During my eating disorder in past (you can read more about that here) I found that hunger stole my voice. The year wherein I was too afraid to go to class, when I’d come up with any and every excuse not to go out with friends—I refer to that period of time as “the silent years.” Little did I know, my sexual assault and subsequent relapse into my eating disorder would pull me back into the realm of silence. The work that I do currently involves discussing the rhetoric of mental health—a topic that will likely become my dissertation. I believe that advocacy for mental health issues is one of the most vital things one can do; for me at the current moment, that means vocalizing my story because I know that I need assistance to make it through this. Moreover, I hope to reclaim my voice because I refuse to let my trauma and eating disorder rid me of it.

Even the smallest of donations would be appreciated, as I am doing everything that I can to stay out of the hospital. My GoFundMe page can be found here.

Warmest wishes,
Ashley N. Doonan

 

Join founder Jen Pastiloff for a weekend retreat at Kripalu Center in Western Massachusetts Feb 19-21, 2016. Get ready to connect to your joy, manifest the life of your dreams, and tell the truth about who you are. This program is an excavation of the self, a deep and fun journey into questions such as: If I wasn’t afraid, what would I do? Who would I be if no one told me who I was? Jennifer Pastiloff, creator of Manifestation Yoga and author of the forthcoming Girl Power: You Are Enough, invites you beyond your comfort zone to explore what it means to be creative, human, and free—through writing, asana, and maybe a dance party or two! Jennifer’s focus is less on yoga postures and more on diving into life in all its unpredictable, messy beauty. Note Bring a journal, an open heart, and a sense of humor. Click the photo to sign up.

Join Jen Pastiloff at her Manifestation Workshop: On Being Human in Dallas Oct 22. Click the link above to book. No yoga experience needed- just be a human being! Bring a journal and a sense of humor. See why People Magazine did a whole feature on Jen.

 

Check out Jen Pastiloff in People Magazine!

Check out Jen in People Magazine!

Forgiveness, Guest Posts, Young Voices

How to Make Peace with a Dead Woman

September 21, 2016
peace

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series for Girl Power: You Are Enough. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Jessica Domer

How to make a peace with a dead woman. Step One: Have a psychic medium give you messages from your dead mother and grandmother. Step Two: Go to a really good therapist. Step Three: Do a lot of yoga and meditative chi running. Step Four: Write an essay.

When I was five years old, I saw my mother for the last time. She walked out the door, leaving my father, brother, sister and I in her wake. When I say my mother walked out on me, I mean she quite literally shut the door as I was looking in her eyes, pleading her to stay. She said nothing. And I knew, in that moment, that I would never see my mother again. It turned out that, although I was a young girl, my intuition was correct. My mother died several years later without ever returning to visit. She died as we were planning a trip to come see her on her deathbed. She died the day before her birthday, which I always felt was an irony that was suited to be the last scene of her very unfulfilled life. Continue Reading…

Guest Posts, Mental Health, Young Voices

From the Ground I Burn

September 8, 2016
suicide

TW: This essay discusses suicide.

Note from Jen Pastiloff, founder of The Manifest-Station. This week is Suicide Prevention week and this remarkable essay is part of our Young Voices Series for Girl Power: You Are Enough. Together we can help erase the stigma of mental illness and there is nothing to be ashamed of about depression. I believe even the messy parts of being human are beautiful. If you need to talk, there are good resources available including To Write Love On Her Arms and 1-800-273-TALK. We are stronger together, helping each other. The Manifest-Station is always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here. And remember: You ARE enough.

By Leah Juliett

Death threw me a bridal shower last summer. It sat at the crook of my neck in the shape of the cold belt that no longer fit around my contorted waist. I exhaled and my cracked heels exited cold ground. My voice ripped out of my larynx and I have not seen it since.

Mental illness is a cold turkey my family always forgets to serve- never spoken of; sitting in an oven that demands repair. White-skinned relatives always militantly ready to snap the steel gate closed before the smell gets out. Last fall my mother forgot to take out the trash for three weeks and maggots spilled out onto the garage floor. The smell of bone dust lasted in the car port until December, but has stayed on my body. I emote bleeding sockets and rug burned back. I reek of a decaying brain.

My childhood bedroom has become both gravedigger and priest- mourning me and calling me holy. Pouring dirt on naked body. My skin begs to have more stiffness than elasticity. I do not want to recover from what haunts me. I want to be drenched in it; wet thighs, bleached lips. I want to remember all the times I slept underground.

The first girl that I fucked with was made of fire. Her hair was dipped in raven ink. When she slipped her head beneath my hollow stomach, I cooed. I was dawned in trauma, bones cracking under heavy weight of my skin suit. Trauma too pretty to be spelled into post-traumatic stress. My body not a war veteran. When I told her I loved her, she left a flower at the head of my grave and departed like the weary admire the death of someone they wished they’d known better.

When my family eats dinner, I like to believe they chew the meat of my Adam’s apple. My throat throbs. Small hands clutch voice box. Birds cough out of asthmatic chest. The oxygen that steams from my inhaler is cold and milky, the color of male ejaculation that drenched my early teens. When I press it to my lips I wonder if this is how they try resurrect a corpse. My breath is some form of witchcraft, my inhaler a magic spoon. No matter how often I want to die, I always press the red plastic wagon that floods a surge of air back into my charred lungs.

The bridal shower was quaint. I drank a glass of water and took two Lexapro cookies that crumbled and tasted sweet under my teeth. Gifts sat under a large oak tree outside of my window, wrapped in shiny paper I’d seen at the local drugstore. I imagined all of the thank you notes I’d have to write. Mother. Father. Sister. Grandmother. Grandfather. Childhood pool. Plant on my bedside table that I’d named after Sylvia Plath. Blood. Answering machine. Suddenly it seemed like an undoable task. I cannot write a letter that does not sound like a obituary. My fingernails carved words into the hard wood of my desk. There is no erasure of what is written in stone, but wood can be burned. This quiet body can still be burned. From ash, I can fit into the cells of my old skin like plant seeds and I can build myself into a new man.

There is a burial ground at the pit of my stomach where my body allows poison people to continue to live. The rotting, the asthma, the constant churning of broken shells under wrists that beg to be cut open. The undead dance on my clavicle, etch foreign words into my pelvis. I cannot feel sexual attraction without a ceremony of grief- my vagina only wet when my eyes can no longer produce tears. This is the birthday party I never had.

The problem with mental illness is that it does not sit cold in the oven. It marinates the whole house. It’s the maggots, the turkey, the bones left under the bed. The quiet throb when you read newspaper obituaries for people you never met, only, all of the people are you. It is the sliver in your thumb that always seems to find it’s way into your nervous system. It pokes floats in your cardiovascular system until your chest ruptures. I wasn’t born for small things. My body, my coffin, my illness is so large I cannot hold it in my hand. It wasn’t being gay, or hating my body. It wasn’t being naked or touched or exposed or cut open. If I were clean of impurities, there would still be a sickness. The alien graveyard still living under new city. I cannot dig up what is too deep to see.

Death approached me after all the guests had left. It handed me the belt from the top shelf of my closet. It stretched around my neck like the pearls I’d imagined would go nicely with my bridal shower dress. I wanted to turn my body into a cross, hanging like Jesus from my bedframe. I wanted to relive my mother’s church.

Death looked at me with eager eyes, a handsome fiancé-to-be begging me to accept such a grandiose proposal. My chest sat heavy beneath all the lives I had not lived.

I do not know if I will ever marry. I do not know if I could stomach a diamond.

When I handed back the belt I did not deny death. My voice is too strong for this caracas. When suicide strangled me, my throat strangled back. Words beneath my ribcage pushed upwards until unholy screams pierced the room I slept in. I am a banshee body. I am a watery grave. I am uncomfortable, I am unearthly, but I am here. I will live here until the Earth turns over and the graves spill out. I will dance among decaying bodies falling backwards from the sky like a haunting snowstorm. My voice will not die. I will not die.

When Death threw me a bridal shower, I burned down the building. I grabbed my voice from His melting hands and ran before the noose pulled me back into the bad place. I have not seen Him since.

Leah Juliett is a nineteen year old poet, actress, LGBTQ+ activist and intersectional feminist from Connecticut. She is the author of “Orange Peels and Other Things that Burn” (2015, Amazon Publishing), and has competed nationally at the Brave New Voices Slam Poetry Competition. She has been featured in Seventeen Magazine, Teen Vogue, Buzzfeed LGBT, Attitude Magazine, and The Huffington Post. Additional work has been published on The Clit List and The Odyssey Online.

 

Join founder Jen Pastiloff for a weekend retreat at Kripalu Center in Western Massachusetts Feb 19-21, 2016. Get ready to connect to your joy, manifest the life of your dreams, and tell the truth about who you are. This program is an excavation of the self, a deep and fun journey into questions such as: If I wasn’t afraid, what would I do? Who would I be if no one told me who I was? Jennifer Pastiloff, creator of Manifestation Yoga and author of the forthcoming Girl Power: You Are Enough, invites you beyond your comfort zone to explore what it means to be creative, human, and free—through writing, asana, and maybe a dance party or two! Jennifer’s focus is less on yoga postures and more on diving into life in all its unpredictable, messy beauty. Note Bring a journal, an open heart, and a sense of humor. Click the photo to sign up.

Join Jen Pastiloff at her Manifestation Workshop: On Being Human in London Oct 1st and Dallas Oct 22. Click the links above to book. No yoga experience needed- just be a human being! Bring a journal and a sense of humor. See why People Magazine did a whole feature on Jen.

 

Check out Jen Pastiloff in People Magazine!

Check out Jen in People Magazine!

Guest Posts, Surviving, Young Voices

Broken Hospital Bracelets

August 17, 2016
trauma

TW: This essay discusses rape and trauma.

By Ashley Doonan

“It has been a pleasure working with you,” Dr. Leslie says as he hands me a cab vouch to North Station, “we’re here if you need us.” The taxi drives down McLean hill and I gently loosen my hospital bracelet. “This is it,” I think to myself, “this is learning to walk again.” I breathe deeply and stare into the sun.

Three weeks prior, it was raining. I stood in the Clinical Evaluation Center, second-guessing why I was there. A nurse spoke gently, “we’re sending you to the Trauma Unit.” The semester prior, I had finished my Master’s thesis on a subject matter related to trauma—I knew all of the signs and the symptoms, the causes and the effects. Still, identifying myself as a sufferer remained alien to me. It couldn’t possible be me, I thought that day, how did I become this fragile? I often find myself wondering what are the evolutionary mechanisms that cause intrusive thoughts after a traumatic event occurs? Perhaps it is for safety, but the pain that is produces emotionally seems utterly unproductive. Even the trauma specialists lack the answer to this underlying question. Thus, we sit with these thoughts day after day, desperate for a means of escape. Continue Reading…

Grief, Guest Posts, Young Voices

Losing the Grandmother I Didn’t Know I Loved

August 10, 2016
grandmother

Note from Jen Pastiloff, founder of The Manifest-Station. This is part of our Young Voices Series. We are always looking for more writing from YOU! Make sure you follow us on instagram at @GirlPowerYouAreEnough and on Facebook here.

By Reyann Shah

We have always called her “Moti Mummy” and for as long as I can remember I’ve known exactly why. “Moti” is the feminine word in our language for “big” or old”.

Hearing my grandmother referred to as “Moti Mummy” always did well to remind me that she was the eldest woman in our family’s house in India. It garnered a certain amount of respect in that way. But it also had a way of making me giggle when I heard it. It’s the dumb humor that comes with alliteration. It was fun to say and it made me smile.

Hearing it from Mama today didn’t have the same funny effect that it usually did.

At 10:48 AM:

“Moti Mummy is very sick right now. She wants to leave and not go on anymore.”

At 5:20 PM:

“Moti Mummy passed away.”

As terrible as the initial news was, I had what at the time I thought was the benefit of simply reading the former in a text message. I didn’t have to bear the pain of seeing Mama’s crying face as the horrible news sank into both of our hearts. But it’s interesting. Upon getting home from work, I endured the latter in person with no keyboard or smartphone screen to protect me from seeing the pain in Mama’s eyes, and yet I wouldn’t have had it any other way. The reason was simple. With seeing Mama’s crying face, it was the opportunity to hold her in my arms that followed.

It was the opportunity to let her emotions pour out onto me without a shield or a boundary in sight. It was one of the very first truly authentic moments between us.

“I never got to be as close to her as I wanted to be,” I told others-through my tears- about my grandmother for most of today. Continue Reading…